Hot! The Phantom Of The Opera Equity Principal Audition

Broadway / Production Contract; $1653/week minimum amount Producer: Cameron Mackintosh in addition to The Really Useful Company Music: Andrew Lloyd Webber. Lyrics: Charles Hart Book: Richard Stilgoe along with Andrew Lloyd Webber Director: Harold Prince Choreographer: Gillian Lynne Production Supervisor: Peter Von Mayrhauser Production Musical Supervisors: risten Blodgette and David Caddick Production Dance Supervisor: Denny Berry Casting: Tara Rubin Casting

Seeking upcoming replacements to the Broadway Company regarding THE PHANTOM OF THE OPERA .

Christing Daae: 20s: gorgeous fresh singer. Soprano voice that includes elements regarding normal along with take singing. A light, floaty soprano. She sings quickly to high E.

The Phantom: 30s 40s: substantial baritone or tenor (with a good reduced range) from reduced A smooth to be able to substantial A flat. Needs a dynamic, bravura, celebrity performance, both scary and irresistible.

Raoul, Vicomte De Chagny: Late 20s earlier 30s: dashing, handsome younger aristocrat. High baritone (2 octave range through A washboard in order to A flat).

Firmin & Andre: Late 30s 50ish; the particular supervisors belonging to the Paris Opera House. Trying to be elegant, these are a little befuddle and also bumbling. Need great instincts regarding fashionable comedy. Good encouraging roles. Baritones; one sings that will A, someone to G.

Carlotta Giudicelli: 30s EARLY 40s; this prima donna connected with The Paris Opera. A diva in every impression belonging to the word. Coloratura soprano, to be able to high E. Requires opera training.

Madame Giry: Late 30s quick 50s; this Opera azines ballet mistress. An ominous, stern, forbidding figure. Mezzo soprano to large B flat.

Meg Giry: Late youngsters quick 20s; a person regarding the particular Corps de Ballet. Must flow on pointe and voice mezzo soprano to be able to G.

Ubaldo Piangi: Late 30s 50s; that opera azines leading tenor, Italian form singer, sings to be able to higher C. Requires opera training.

Casting for The Phantom in the Opera is usually interracial. Dancers of most cultural backgrounds as well as backrounds are generally encouraged to help attend.